(I’m falling asleep at the laptop, bye friends) 

Title: Wild Honey Pie
Artist: The Beatles
Album: The Beatles (White Album) [Disc 1]
Played: 327

dailybeatles:

Wild Honey Pie - The Beatles

let-light-not-see:

Something I loved about Nowhere Boy was the use of colour throughout the film, especially how it’s applied to Julia Lennon’s moods. Traditionally, red symbolizes passion and pain - two things Julia is full of. During Julia’s ‘high points’ and ‘low points’ throughout the film, there’s a clear use of a rich, vibrant red - whether it be the set, the props, her clothes, her lipstick, her nail polish; even the lighting. Yet in the moments she is ‘stable’ or seems to have ‘calmed down,’ she’s shown wearing lighter, colours, and the scenes take on a muter tone. I love the subtlety the filmmakers used. It’s as if we the audience can follow her character development by simply observing the colours surrounding her.

[there is also a deleted scene from the film, called “The Red Room” which can be seen here]





Title: I've Got A Feeling (21.65P, Excerpt - Bank To The Wall)
Artist: The Beatles
Album: January 22nd, 1969
Played: 932

amoralto:

January 22nd, 1969 (Apple Studios): After John tells Yoko, Paul, and George about having received a letter from Millie Sutcliffe requesting his financial support, George reads aloud from the letter while John conveys his derision for Mrs. Sutcliffe’s justification of responsibility - his old friendship with Stuart - and points out that Stuart didn’t even have much regard for her.

GEORGE: What’s Mrs. Sutcliffe want?

JOHN: Well, what they all want – money.

GEORGE: [reading] ”This is the last cry for help. My bank is now to the wall—“ [laughs] My ”back”.

JOHN: “Back”, “bank”. [George laughs] I thought it was “bank” too.

GEORGE: ”—as it’s been many times before, but this is the last time. Since [Stuart’s father] Charlie’s sudden death in March ’66, of my consequence of long—“ What?

YOKO: [reading] “Illness”.

GEORGE: ”—illness, I have managed to exist—“

JOHN: [withering] “Illness”? She’s an alcoholic.

GEORGE: ”—but now it is the end of the road.”

JOHN: She’s an alcoholic, you know.

GEORGE: ”I beg of you, please come if only for the sake of the boy you once knew.” Fucking hell…

JOHN: You know, what’s it got to do with me?

GEORGE: What’s it got to do with Stu?

JOHN: Yeah.

GEORGE: I mean, she didn’t know him.

JOHN: No, he hated her anyway. [laughter] I remember at college he used to tell me so. Except for she gave him twenty ciggies a day and five bob. [pause] So I mean, it’s registered [inaudible], I’ve just got to write her and say, “What?” Or something.

truthaboutthebeatlesgirls:

msn0370:

Wonder Wall premiere (1968). George, Pattie and Jane Birkin.

May 15, 1968 - Pattie, George and Jane Birkin at Heathrow Airport en route to the south of France to attend the Cannes Film Festival, at which Wonderwall was being screened.

truthaboutthebeatlesgirls:

msn0370:

Wonder Wall premiere (1968). George, Pattie and Jane Birkin.

May 15, 1968 - Pattie, George and Jane Birkin at Heathrow Airport en route to the south of France to attend the Cannes Film Festival, at which Wonderwall was being screened.


sailupontheocean:

so much beauty

sailupontheocean:

so much beauty



Title: Stand By Me
Artist: John and Julian
Album:
Played: 70

Just a little bit of Julian and John singing ‘Stand By Me’ “together”


"The most satisfying feature of my life in show-business is that I enjoy it. I like artists enormously- all artistes. I like meeting them, I like being amongst them, I enjoy their conversation, and I derive tremendous satisfaction from developing new artistes."
- Brian Epstein, A Cellarful Of Noise (1964)

wurnbo:

what do u mean we’re not friends, we follow each other